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Página 58
This mode is distinguished from narrator ' s comment in that it is highly formal in
tone and addressed not directly to the ... In Book V particularly , the two modes
are frequently indistinguishable , and I have had to refer to such passages as ...
This mode is distinguished from narrator ' s comment in that it is highly formal in
tone and addressed not directly to the ... In Book V particularly , the two modes
are frequently indistinguishable , and I have had to refer to such passages as ...
Página 59
at least one stanza long in the same narrative mode constitutes a narrative unit .
17 In Book II , for example , lines 78 – 665 are in direct narrative . At line 666 a
shift to narrator ' s comment takes place , and this mode continues to line 700 .
at least one stanza long in the same narrative mode constitutes a narrative unit .
17 In Book II , for example , lines 78 – 665 are in direct narrative . At line 666 a
shift to narrator ' s comment takes place , and this mode continues to line 700 .
Página 88
Where units of the same narrative mode are juxtaposed , the breaks between the
units are less distinct than the breaks between units of different modes . The five
units , # 22 – # 26 , total eighty stanzas in all , and though they cannot be said to ...
Where units of the same narrative mode are juxtaposed , the breaks between the
units are less distinct than the breaks between units of different modes . The five
units , # 22 – # 26 , total eighty stanzas in all , and though they cannot be said to ...
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actually arrangement basic beginning Boccaccio Book Book II break CALIFORNIA/SANTA CRUZ chapter Chaucer Chaucer's Troilus chronological clear clearly close concerned constitute consummation continuous contrasts covers Criseyde's critics CRUZ UNIVERSITY dealing decision described detail direct narrative discussed distinct division effect elaborate established example Filostrato final five four function hire important impression indicate introduced invocation involves least length less letter Library The University lines linked long unit lovers mark material Meech meeting mode narrative units narrator narrator's narrator's comment night noted objective time units obvious occurs Pandarus parallels particularly passages pattern period poem preceding presentation proem reference relationships relatively rhetorical Root says scene scheme seems separate shift similar single specific story structural structural devices subjective suggests summary narrative talk tion Troilus and Criseyde turning University Library