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Página 13
The new pattern provides a more distinctive tone for each book and serves to set
off the contrasting parallels that had always been an important part of Chaucer ' s
design . 13 These parallels particularly the wooing of Troilus and that of ...
The new pattern provides a more distinctive tone for each book and serves to set
off the contrasting parallels that had always been an important part of Chaucer ' s
design . 13 These parallels particularly the wooing of Troilus and that of ...
Página 80
Content patterns , on the other hand , depend primarily on parallels or contrasts
existing in the material of certain units . 1 Such a pattern establishes a link
between Books II and IV which are obviously contrasting units , Book II moving
from ...
Content patterns , on the other hand , depend primarily on parallels or contrasts
existing in the material of certain units . 1 Such a pattern establishes a link
between Books II and IV which are obviously contrasting units , Book II moving
from ...
Página 86
Important parallels between the second and third stages — that is , the meeting at
Deiphebus ' house and the night of the consummation — have been noted by
scholars including Meech , Owen , Brenner , and Utley . 14 At the Deiphebus ...
Important parallels between the second and third stages — that is , the meeting at
Deiphebus ' house and the night of the consummation — have been noted by
scholars including Meech , Owen , Brenner , and Utley . 14 At the Deiphebus ...
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actually arrangement basic beginning Boccaccio Book Book II break CALIFORNIA/SANTA CRUZ chapter Chaucer Chaucer's Troilus chronological clear clearly close concerned constitute consummation continuous contrasts covers Criseyde's critics CRUZ UNIVERSITY dealing decision described detail direct narrative discussed distinct division effect elaborate established example Filostrato final five four function hire important impression indicate introduced invocation involves least length less letter Library The University lines linked long unit lovers mark material Meech meeting mode narrative units narrator narrator's narrator's comment night noted objective time units obvious occurs Pandarus parallels particularly passages pattern period poem preceding presentation proem reference relationships relatively rhetorical Root says scene scheme seems separate shift similar single specific story structural structural devices subjective suggests summary narrative talk tion Troilus and Criseyde turning University Library