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Página 53
Robert M . Jordan has done valuable work in this area , 2 emphasizing
particularly that critical theory drawn from post - Romantic and postJamesian
narrative cannot be applied validly to Chaucerian narrative . Modern conceptions
of organic ...
Robert M . Jordan has done valuable work in this area , 2 emphasizing
particularly that critical theory drawn from post - Romantic and postJamesian
narrative cannot be applied validly to Chaucerian narrative . Modern conceptions
of organic ...
Página 55
To be sure , dialogue often involves an attempt by the author to create a
particularly realistic illusion 10 which thus produces a strong impression of
immediacy . 11 Even so , the frequent intrusion of phrases such as " quod he ” or
“ Pandarus ...
To be sure , dialogue often involves an attempt by the author to create a
particularly realistic illusion 10 which thus produces a strong impression of
immediacy . 11 Even so , the frequent intrusion of phrases such as " quod he ” or
“ Pandarus ...
Página 80
1 A number of the works referred to in Chapter I have dealt with parallels and
contrasts in one way or another , particularly those of Robert O . Payne , Sister
Gill , Thomas Kirby ( see chapter three , note 15 ) , Charles A . Owen , Jr . ,
Sanford ...
1 A number of the works referred to in Chapter I have dealt with parallels and
contrasts in one way or another , particularly those of Robert O . Payne , Sister
Gill , Thomas Kirby ( see chapter three , note 15 ) , Charles A . Owen , Jr . ,
Sanford ...
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actually arrangement basic beginning Boccaccio Book Book II break CALIFORNIA/SANTA CRUZ chapter Chaucer Chaucer's Troilus chronological clear clearly close concerned constitute consummation continuous contrasts covers Criseyde's critics CRUZ UNIVERSITY dealing decision described detail direct narrative discussed distinct division effect elaborate established example Filostrato final five four function hire important impression indicate introduced invocation involves least length less letter Library The University lines linked long unit lovers mark material Meech meeting mode narrative units narrator narrator's narrator's comment night noted objective time units obvious occurs Pandarus parallels particularly passages pattern period poem preceding presentation proem reference relationships relatively rhetorical Root says scene scheme seems separate shift similar single specific story structural structural devices subjective suggests summary narrative talk tion Troilus and Criseyde turning University Library