Let not ambition mock their useful toil, Their homely joys, and destiny obscure; Perhaps in this neglected spot is laid Some heart once pregnant with celestial fire; Hands that the rod of empire might have swayed, Or waked to ecstasy the living lyre. GRAY. The effect of the devotion of elegant minds to rural occupations has been wonderful on the face of the country. A great part of the island is rather level, and would be monotonous, were it not for the charms of culture; but it is studded and gemmed, as it were, with castles and palaces, and embroidered with parks and gardens. It does not abound in grand and sublime prospects, but rather in little homescenes of rural repose and sheltered quiet. Every antique farm-house, and moss-grown cottage, is a picture; and as the roads are continually winding, and the view is shut in by groves and hedges, the eye is delighted by a continued succession of small landscapes of captivating loveliness. If when I meet my brother man For God to me has freely given And as I leave with tearful eyes, IRVING. And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone. Slowly and sadly we laid him down, From the field of his fame, fresh and gory: Through the green plain they marching come O mother State! the winds of March And once again the organ swells, POE. SCHILLER. WHITTIER. The Lord is my shepherd: I shall not want. PSALM XXIII. Let not ambition mock their useful toil, Their homely joys, and destiny obscure; Perhaps in this neglected spot is laid Some heart once pregnant with celestial fire; is OW the Shall be lifted nevermore! 1 And when, to guard old Bregenz, The warder paces all night long And calls each passing hour; "Nine," "ten," "eleven," he cries aloud, And then (O crown of fame!) When midnight pauses in the skies, He calls the maiden's name! VERY SLOW. POE. ADELAIDE PROCTOR. Hear the tolling of the bells, Iron bells! What a world of solemn thought their monody In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone. Slowly and sadly we laid him down, From the field of his fame, fresh and gory: POE. We carved not a line; we raised not a stone, WOLFE. Break, break, break, On thy cold gray stones, O sea! And I would that my tongue could utter The thoughts that arise in me. Break, break, break, At the foot of thy crags, O sea! But the tender grace of a day that is dead TENNYSON. FORCE. FORCE is the degree of loudness or softness which is given to the voice, and depends upon the intensity of the feelings or emotions of the speaker. True Force is given to speech by intense rather than loud or noisy utterance. Gentle force is used in the expression of tenderness, pathos, subdued feeling, and calm emotion. Moderate is used in simple narration and description, and in animated conversation. Loud is used in excited utterance, calling, &c. Very loud is used in shouting, cheering, anger, defiance, &c. GENTLE. The heights by great men gained and kept LONGFELLOW. The smallest bark on life's tumultuous ocean And fearful tempests gather: one mistake Life is a bubble which any breath may dissolve; wealth or power a snowflake, melting momently into the treacher. ous deep across whose waves we are floated on to our unseen destiny; but to have lived so that one less orphan shall be called to choose between starvation and infamy, to have lived so that some eyes of those whom Fame shall never know are brightened, and others suffused at the name of the beloved one, so that the few who knew him truly shall recognize him as a bright, warm, cheering presence, which was here for a season and left the world no worse for his stay in it, this, surely, is to have really lived, and not wholly in vain. HORACE GREELEY. Flow gently, sweet Afton, among thy green braes, |