446 HAMLET, PRINCE OF DENMARK. will forestal their repair hither, and say, you are not fit. Let all the battlements their ordnance fire; Ham. Not a whit, we defy augury; there is a special providence in the fall of a sparrow. If it be now, 'tis not to come; if it be not to come, it will be now; if it be not now, yet it will come: the readiness is all: Since no man, if aught he leaves, knows, what is't to leave betimes? Let be. Enter King, Queen, Laertes, Lords, Osric, and tendants, with foils, &c. King. Come, Hamlet, come, and take this hand [The King puts the hand of Laertes into Ham. Give me your pardon, sir: I have done you wrong; But pardon it, as you are a gentleman. heard, How I am punish'd with a sore distraction. That might your nature, honour, and exception, Let my disclaiming from a purpos'd evil Free me so far in your most generous thoughts, Laer. I am satisfied in nature, Whose motive, in this case, should stir me most To keep my name ungor'd: But till that time, Ham. I embrace it freely; And will this brother's wager frankly play.- Laer. Come, one for me. Ham. I'll be your foil, Laertes; in mine igno rance Your skill shall, like a star i'the darkest night, Laer. You mock me, sir. : Ham. No, by this hand. You know the wager? Ham. Very well, my lord; Osr. Ay, my good lord. If Hamlet give the first or second hit, (1) Prevent. (2) The king and queen's presenoc. Here's to thy health.-Give him the cup. [Trumpets sound; and cannon shot off within, Gertrude, do not drink. [Aside I do not think it. Lacr. And yet it is almost against my conscience. [Aside. Ham, Come, for the third, Laertes; you do but Osr. How is't, Laertes? Laer. Why, as a woodcock to my own springe, Osric; I am justly kill'd with mine own treachery. King. [Dies. 9 (8) Boy. (7) Drinks good luck to you. (9) The foil without a button, and poisoned at the point. Hath turn'd itself on me; lo, here I lie, Envenom'd too!-Then, venom, to thy work. Osr, & Lords. Treason! treason! Drink off this potion:-is the union here? Where should we have our thanks Not from his mouth, [King dies. Of accidental judgments, casual slaughters; He is justly serv'd; [Dies. Hor. Never believe it; I am more an antique Roman than a Dane, Ham. And call the noblest to the audience. Hor. Of that I shall have also cause to speak, On plots and errors, happen. Let four captains Give me the cup; let go; by heaven I'll have it. And in this harsh world draw thy breath in pain, [March afar off, and shot within. To the ambassadors of England gives Ham. O, I die, Horatio; The potent poison quite o'er-crows my spirit; And flights of angels sing thee to thy rest! Enter Fortinbras, the English Ambassadors, and others. Fort. Where is this sight? What feast is toward in thine eternal cell, 1 Amb. (1) Mixed. (2) A sergeant is a sheriff's officer. (3) O'ercomes. (4) Incidents. (5) Incited. Heap of dead game To have prov'd most royally: and, for his passage, Take up the bodies:-Such a sight as this If the dramas of Shakspeare were to be characterised, each by the particular excellence which distinguishes it from the rest, we must allow to the tragedy of Hamlet the praise of variety. The incidents are so numerous, that the argument of the play would make a long tale. The scenes are interchangeably diversified with merriment and solemnity: with merriment that includes judicious and instructive observations; and solemnity not strained by poetical violence above the natural sentiments of man. New characters appear from time to time in continual succession, exhibiting various forms of life, and peculiar modes of conversation. The pretended madness of Hamlet causes much mirth, the mournful distraction of Ophelia fills the heart with tenderness, and every personage produces the effect intended, from the apparition that, in the first act, chills the blood with horror, to the fop in the last, that exposes affectation to just contempt. The conduct is, perhaps, not wholly secure against objections. The action is, indeed, for the most part, in continual progression; but there are some scenes which neither forward nor retard it. Of the feigned madness of Hamlet there appears no adequate cause, for he does nothing which he might not have done with the reputation of sanity. He plays the (7) A word of censure when more game was destroyed than was reasonable. (8) i. e. The king's, (9) By chance. 448 madman most, when he treats Ophelia with so much easily be formed, to kill Hamlet with the dagger The poet is accused of having shown little rerudeness, which seems to be useless and wanton and Laertes with the bowl. cruelty. Hamlet is, through the whole piece, rather an in-gard to poetical justice, and may be charged with strument than an agent. After he has, by the strat-equal neglect of poetical probability. The appariagem of the play, convicted the king, he makes no tion left the regions of the dead to little purpose: attempt to punish him; and his death is at last ef-the revenge which he demands is not obtained, but 'fected by an incident which Hamlet had no part in by the death of him that was required to take it; and the gratification, which would arise from the producing. The catastrophe is not very happily produced; destruction of a usurper and a murderer, is abated JOHNSON. the exchange of weapons is rather an expedient of by the untimely death of Ophelia, the young, the necessity, than a stroke of art. A scheme might beautiful, the harmless, and the pious. |