For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 136
John Cage, Daniel Charles. D.C .: That's not all that Christian Wolff is trying to say . He suggests that you remain a creator , whatever you introduce into your works . You admit chance , but you are the one who establishes what chance ...
John Cage, Daniel Charles. D.C .: That's not all that Christian Wolff is trying to say . He suggests that you remain a creator , whatever you introduce into your works . You admit chance , but you are the one who establishes what chance ...
Seite 152
... Christian Wolff's music opposes its environment . While in the case of Young and Riley , events occur which are very unique and have no resemblance to life around us . I already mentioned that some of Christian Wolff's most recent works ...
... Christian Wolff's music opposes its environment . While in the case of Young and Riley , events occur which are very unique and have no resemblance to life around us . I already mentioned that some of Christian Wolff's most recent works ...
Seite 199
... Christian Wolff appears to oscillate within this same double principle of determinacy and indeterminacy , he too seems to be heading towards drama . He has some sounds that must be played in a set manner , but he also calls for others ...
... Christian Wolff appears to oscillate within this same double principle of determinacy and indeterminacy , he too seems to be heading towards drama . He has some sounds that must be played in a set manner , but he also calls for others ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis