For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 109
... ( Concert for Piano and Orchestra ) anticipated revolution . But doesn't the revolution seek to kill the orchestra conductor who directs the world that is , capitalism ? - J.C .: Unfortunately for that analysis , I believe that the role ...
... ( Concert for Piano and Orchestra ) anticipated revolution . But doesn't the revolution seek to kill the orchestra conductor who directs the world that is , capitalism ? - J.C .: Unfortunately for that analysis , I believe that the role ...
Seite 132
... Concert , and the Song Books specially for the Paris Music Weeks concert ? J.C .: Well , I believe that at the time of the conversations we had in Paris in June , 1970 , everything revolved around the Concert for Piano and Orchestra ...
... Concert , and the Song Books specially for the Paris Music Weeks concert ? J.C .: Well , I believe that at the time of the conversations we had in Paris in June , 1970 , everything revolved around the Concert for Piano and Orchestra ...
Seite 145
... Piano in your Concert for Piano and Orchestra ; you use eighty - four of these ' ways of composing , ' which result in a large number of different systems of notation . In the Solo , didn't you introduce a system into these notations ...
... Piano in your Concert for Piano and Orchestra ; you use eighty - four of these ' ways of composing , ' which result in a large number of different systems of notation . In the Solo , didn't you introduce a system into these notations ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis