For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 7
John Cage, Daniel Charles. A NOTE ON THE BOOK'S HISTORY For the Birds began in 1968 as a series of interviews published in La Revue d'esthétique ( Vol . XXI , Nos . 2 , 3 and 4 ; April - December , 1968 ) by its editor , Daniel Charles ...
John Cage, Daniel Charles. A NOTE ON THE BOOK'S HISTORY For the Birds began in 1968 as a series of interviews published in La Revue d'esthétique ( Vol . XXI , Nos . 2 , 3 and 4 ; April - December , 1968 ) by its editor , Daniel Charles ...
Seite 11
... Daniel Charles and I engaged in many conversations which were recorded on tape . For one reason or another the project of making a book out of this material was shelved year after year . There was too much material , or not enough that ...
... Daniel Charles and I engaged in many conversations which were recorded on tape . For one reason or another the project of making a book out of this material was shelved year after year . There was too much material , or not enough that ...
Seite 239
John Cage, Daniel Charles. Afterword to the French Edition When we first started recording our conversations , I had some difficulty answering Daniel Charles ' questions in a lively manner . It's that my interviewer is not only a ...
John Cage, Daniel Charles. Afterword to the French Edition When we first started recording our conversations , I had some difficulty answering Daniel Charles ' questions in a lively manner . It's that my interviewer is not only a ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis