For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
Im Buch
Ergebnisse 1-3 von 5
Seite 40
... nothingness . J.C .: This nothingness is still just a word . D.C .: Like silence , it must cancel itself out . J.C .: And consequently we come back to what exists ; to sounds , that is . D.C .: But don't you lose something ? J.C .: What ...
... nothingness . J.C .: This nothingness is still just a word . D.C .: Like silence , it must cancel itself out . J.C .: And consequently we come back to what exists ; to sounds , that is . D.C .: But don't you lose something ? J.C .: What ...
Seite 92
... nothingness ' ? Do we have the right to say that the nothing which you have in mind is ' the Nothing ' ; Nothingness , Silence ? Or , according to the opposite hypothesis , we would have to translate the title Lecture on Nothing as ...
... nothingness ' ? Do we have the right to say that the nothing which you have in mind is ' the Nothing ' ; Nothingness , Silence ? Or , according to the opposite hypothesis , we would have to translate the title Lecture on Nothing as ...
Seite 93
... Nothingness . ' On the condition that we don't let ourselves get carried away with words , we can accept it . D.C .: Do your ideas on this come from Suzuki ? J.C .: Yes , and also from a wonderful book , Neti , Neti , ' which taught me ...
... Nothingness . ' On the condition that we don't let ourselves get carried away with words , we can accept it . D.C .: Do your ideas on this come from Suzuki ? J.C .: Yes , and also from a wonderful book , Neti , Neti , ' which taught me ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
9 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis