For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 104
... Sonatas and Interludes for the prepared piano were fully expressive works , as well as my String Quar- tet . In 1950 , I composed Sixteen Dances for Merce Cunningham and I was wondering how to achieve a clear graphic view of the ...
... Sonatas and Interludes for the prepared piano were fully expressive works , as well as my String Quar- tet . In 1950 , I composed Sixteen Dances for Merce Cunningham and I was wondering how to achieve a clear graphic view of the ...
Seite 143
... Sonatas for Piano ; they served as substitutes for the waltz . We had two - handed music - we separated the hands , making a different computer program for each one . The right hand made use of certain Sonatas , the left of others ...
... Sonatas for Piano ; they served as substitutes for the waltz . We had two - handed music - we separated the hands , making a different computer program for each one . The right hand made use of certain Sonatas , the left of others ...
Seite 180
... Sonata . Faced with a work like that , I couldn't help but be stupefied by its activism , by the sum of the activities inherent in it . I couldn't limit myself to tradi- tional relationships anymore . I didn't understand that music , I ...
... Sonata . Faced with a work like that , I couldn't help but be stupefied by its activism , by the sum of the activities inherent in it . I couldn't limit myself to tradi- tional relationships anymore . I didn't understand that music , I ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis