For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 160
... able to collect . We con- stantly changed sounds and the notation merely served as a way of doing it . Shortly thereafter , my writing again became entirely conventional . There were no more notes to be interpreted each time in a ...
... able to collect . We con- stantly changed sounds and the notation merely served as a way of doing it . Shortly thereafter , my writing again became entirely conventional . There were no more notes to be interpreted each time in a ...
Seite 215
... able to discover those colors on our screens . Then we will use television much more naturally , as if it didn't exist . In general , we are not able to consider technology in a natural way because we aren't accustomed to our ...
... able to discover those colors on our screens . Then we will use television much more naturally , as if it didn't exist . In general , we are not able to consider technology in a natural way because we aren't accustomed to our ...
Seite 218
... able to help me , they did so . Fortunately , later I was in a position to help them in turn , when they were in need . My financial situation has improved , and in the last few years of my life , I have really been able to come to the ...
... able to help me , they did so . Fortunately , later I was in a position to help them in turn , when they were in need . My financial situation has improved , and in the last few years of my life , I have really been able to come to the ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis