For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 11
... accepted but still the book was not published . In fact , in order to please the publisher , Charles later made a new version , in some cases an abridgement of the earlier one , in others having new material , ' conversations ' written ...
... accepted but still the book was not published . In fact , in order to please the publisher , Charles later made a new version , in some cases an abridgement of the earlier one , in others having new material , ' conversations ' written ...
Seite 87
... accept this dichotomy for speaking of time ? Can it be applied to your music ? J.C .: [ It seems to me that it is more applicable to La Monte Young than to me . The stable and the unstable cannot , for me , present themselves as the ...
... accept this dichotomy for speaking of time ? Can it be applied to your music ? J.C .: [ It seems to me that it is more applicable to La Monte Young than to me . The stable and the unstable cannot , for me , present themselves as the ...
Seite 94
... accepted . I believe that , of all the books he mentioned to us , Chuang - tze was the one he preferred . I have worked a lot with Chuang - tze . D.C .: But you don't reject anything in the I Ching ? J.C .: I do accept , I have always ...
... accepted . I believe that , of all the books he mentioned to us , Chuang - tze was the one he preferred . I have worked a lot with Chuang - tze . D.C .: But you don't reject anything in the I Ching ? J.C .: I do accept , I have always ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis