For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 35
... according to tonality , but according to time . D.C .: Why ? J.C .: Because I wanted to include the world of noises in a musical work . D.C .: Then , you rejected the tonal system from the beginning ? J.C .: Yes , because noises have ...
... according to tonality , but according to time . D.C .: Why ? J.C .: Because I wanted to include the world of noises in a musical work . D.C .: Then , you rejected the tonal system from the beginning ? J.C .: Yes , because noises have ...
Seite 43
... according to you , a way of organizing music according to time ? J.C .: Yes , time seems to me to be the radical dimension of all music . D.C .: But you only rejected structure in order to ' liberate ' that basic dimension : time ? J.C ...
... according to you , a way of organizing music according to time ? J.C .: Yes , time seems to me to be the radical dimension of all music . D.C .: But you only rejected structure in order to ' liberate ' that basic dimension : time ? J.C ...
Seite 76
... according to a certain number of taxinomic criteria that could serve as the basis for a reading or deciphering of the most diverse tonal expanses . According to Schaeffer , this would facilitate composing in a less ' sur- realistic ...
... according to a certain number of taxinomic criteria that could serve as the basis for a reading or deciphering of the most diverse tonal expanses . According to Schaeffer , this would facilitate composing in a less ' sur- realistic ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis