For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 145
... already used , whether I should vary what I had done , or finally , whether I should innovate . I assigned a letter to each possibility . A second letter served when there was a varied repetition of a type of composition already ...
... already used , whether I should vary what I had done , or finally , whether I should innovate . I assigned a letter to each possibility . A second letter served when there was a varied repetition of a type of composition already ...
Seite 215
... already have , in nature , the colors that television will recreate . We will soon be able to discover those colors on our screens . Then we will use television much more naturally , as if it didn't exist . In general , we are not able ...
... already have , in nature , the colors that television will recreate . We will soon be able to discover those colors on our screens . Then we will use television much more naturally , as if it didn't exist . In general , we are not able ...
Seite 216
... already goes together . Things were gathered together before us ; all we have done is to separate them . Our task , henceforth , is to reunite them . To do so , we must live in a new way , perhaps not in conventional houses anymore ...
... already goes together . Things were gathered together before us ; all we have done is to separate them . Our task , henceforth , is to reunite them . To do so , we must live in a new way , perhaps not in conventional houses anymore ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis