For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 119
... audience would not be seated in rows of theater seats . D.C .: What does she think about all that ? - - an J.C .: Well , first of all she insists on the fact that the audience must be seated and remain where they are , without leaving ...
... audience would not be seated in rows of theater seats . D.C .: What does she think about all that ? - - an J.C .: Well , first of all she insists on the fact that the audience must be seated and remain where they are , without leaving ...
Seite 165
... audience into four triangles whose peaks would be directed toward an empty center . So free spaces were arranged everywhere . And the action wasn't supposed to occur in the center , but everywhere around the audience . That is , in the ...
... audience into four triangles whose peaks would be directed toward an empty center . So free spaces were arranged everywhere . And the action wasn't supposed to occur in the center , but everywhere around the audience . That is , in the ...
Seite 169
... audience entered the hall , they found no seats to sit on . There were only tables , around the room , with piles of records , and loudspeakers distributed throughout the space . It very quickly became obvious to each member of the audi ...
... audience entered the hall , they found no seats to sit on . There were only tables , around the room , with piles of records , and loudspeakers distributed throughout the space . It very quickly became obvious to each member of the audi ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis