For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 94
... believe you are more Chinese than Indian ... J.C .: Yes , or at least , that is what I have become ... D.C .: How did this happen ? J.C .: It was after 1945 , between 1946 and 1947 I suppose , that I began to become seriously interested ...
... believe you are more Chinese than Indian ... J.C .: Yes , or at least , that is what I have become ... D.C .: How did this happen ? J.C .: It was after 1945 , between 1946 and 1947 I suppose , that I began to become seriously interested ...
Seite 182
... believe in particular that all the thoughts of all ' cultures ' - in the ethnological sense of the term - and all the experiments ever attempted and ever recorded are going to come together , unite , and intermingle . They will form a ...
... believe in particular that all the thoughts of all ' cultures ' - in the ethnological sense of the term - and all the experiments ever attempted and ever recorded are going to come together , unite , and intermingle . They will form a ...
Seite 216
... believe there is an entire segment of humanity that goes to sleep hungry . And you are afraid that this phenomenon will get worse . I believe that I agree with the basis of your thinking : we must assure each person the basics of life ...
... believe there is an entire segment of humanity that goes to sleep hungry . And you are afraid that this phenomenon will get worse . I believe that I agree with the basis of your thinking : we must assure each person the basics of life ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis