For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 51
... completely different musical work be juxtaposed with a given ballet . J.C .: Yes , if possible , without any connection . D.C .: Moreover , your ' indeterminate ' works were supposed to take space into consideration . J.C .: It was a ...
... completely different musical work be juxtaposed with a given ballet . J.C .: Yes , if possible , without any connection . D.C .: Moreover , your ' indeterminate ' works were supposed to take space into consideration . J.C .: It was a ...
Seite 126
... completely different form of performance or composition : live electronic music . J.C .: Yes , he is presently working with circuits controlling video and audio effects , with feed - back between the two . D.C .: Which forces him to ...
... completely different form of performance or composition : live electronic music . J.C .: Yes , he is presently working with circuits controlling video and audio effects , with feed - back between the two . D.C .: Which forces him to ...
Seite 195
... completely free to move around amidst all that abundance of films and slides . They could sit down , or walk around . About 6000 people came , but the hall could have held fifteen to twenty thousand . Consequently , everyone always ...
... completely free to move around amidst all that abundance of films and slides . They could sit down , or walk around . About 6000 people came , but the hall could have held fifteen to twenty thousand . Consequently , everyone always ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis