For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 121
John Cage, Daniel Charles. FOURTH INTERVIEW David Tudor : interpreter and composer Touring with David Tudor Abolishing the composer's ego Writing Variation II On notation , conceived as a means of liberating time The performer's revolt ...
John Cage, Daniel Charles. FOURTH INTERVIEW David Tudor : interpreter and composer Touring with David Tudor Abolishing the composer's ego Writing Variation II On notation , conceived as a means of liberating time The performer's revolt ...
Seite 160
... composer customarily places at the head of his score , you reproduce all possible writings , just classifying them ... composers , and specified how many words they should write . D.C .: And where did you get the idea for 160 FOR THE BIRDS.
... composer customarily places at the head of his score , you reproduce all possible writings , just classifying them ... composers , and specified how many words they should write . D.C .: And where did you get the idea for 160 FOR THE BIRDS.
Seite 198
... composer does , whether or not he composes serially . He automatically situates himself outside of time in some imaginary space . Then , obviously , it would be very flattering for the composer to feel that his work involves both the ...
... composer does , whether or not he composes serially . He automatically situates himself outside of time in some imaginary space . Then , obviously , it would be very flattering for the composer to feel that his work involves both the ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis