For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 38
... entire percussion orchestra . D.C .: A principle of economy . J.C .: With just one musician , you can really do an unlimited number of things on the inside of the piano if you have at your disposal an ' exploded ' keyboard . D.C .: And ...
... entire percussion orchestra . D.C .: A principle of economy . J.C .: With just one musician , you can really do an unlimited number of things on the inside of the piano if you have at your disposal an ' exploded ' keyboard . D.C .: And ...
Seite 87
... entire hour . ' It cannot be said that this action abolished the feeling of time , it was dominated by one of its components , which was the stable , while the other component , the unstable , was its harmonic . ' Would you accept this ...
... entire hour . ' It cannot be said that this action abolished the feeling of time , it was dominated by one of its components , which was the stable , while the other component , the unstable , was its harmonic . ' Would you accept this ...
Seite 125
... entire session ... It was also Emile de Antonio who helped organize the retrospective concert com- memorating my twenty - five years of activity as a composer , in May , 1958 , at the Town Hall in New York . My painter friends had ...
... entire session ... It was also Emile de Antonio who helped organize the retrospective concert com- memorating my twenty - five years of activity as a composer , in May , 1958 , at the Town Hall in New York . My painter friends had ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis