For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
Im Buch
Ergebnisse 1-3 von 25
Seite 48
... experience of life is different for each one of us . But we seek to make each one feel , in his own way , his own experience . D.C .: You reject the idea of a constructed duration . Why , in that case , did you insist on having Satie's ...
... experience of life is different for each one of us . But we seek to make each one feel , in his own way , his own experience . D.C .: You reject the idea of a constructed duration . Why , in that case , did you insist on having Satie's ...
Seite 80
... experience goes from an object to its double . In contemporary civilization where everything is standardized and where everything is repeated , the whole point is to forget in the space between an object and its duplication . If we didn ...
... experience goes from an object to its double . In contemporary civilization where everything is standardized and where everything is repeated , the whole point is to forget in the space between an object and its duplication . If we didn ...
Seite 154
... experience . D.C .: The logical discourse of the conceptual artists seems illegitimate to you in that it drops experience . But would you say that all discourse is in that situation , and that we should distrust language in general ...
... experience . D.C .: The logical discourse of the conceptual artists seems illegitimate to you in that it drops experience . But would you say that all discourse is in that situation , and that we should distrust language in general ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
9 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis