For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 146
... feel an emotion . D.C .: Even though you know that the work no longer provides a pretext for that feeling ? J.C .: In my more recent music , my intention was to avoid forcing anyone to feel in any particular way any more . Feelings are ...
... feel an emotion . D.C .: Even though you know that the work no longer provides a pretext for that feeling ? J.C .: In my more recent music , my intention was to avoid forcing anyone to feel in any particular way any more . Feelings are ...
Seite 177
... feel it applies to your work in general ? Aren't you subverting your own practice of indeterminacy when , in Cheap Imitation for example , you return to a more traditional mode of composi- tion ? J.C .: Cheap Imitation really stands in ...
... feel it applies to your work in general ? Aren't you subverting your own practice of indeterminacy when , in Cheap Imitation for example , you return to a more traditional mode of composi- tion ? J.C .: Cheap Imitation really stands in ...
Seite 182
... feel that in Europe , you have always tended to take shelter under your cultural umbrella . People don't like cultural fallout- they believe true cultural purity is possible . That's probably an illusion . ] D.C .: ' Purity ' equals ...
... feel that in Europe , you have always tended to take shelter under your cultural umbrella . People don't like cultural fallout- they believe true cultural purity is possible . That's probably an illusion . ] D.C .: ' Purity ' equals ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis