For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
Im Buch
Ergebnisse 1-3 von 38
Seite 56
... important ... Take it in a way that you can then let it drop ! Don't belabor it ! It's just like the chicken I ordered in the restaur- ant : it concerns me , but it's not important . And if we keep emotions and reinforce them , they can ...
... important ... Take it in a way that you can then let it drop ! Don't belabor it ! It's just like the chicken I ordered in the restaur- ant : it concerns me , but it's not important . And if we keep emotions and reinforce them , they can ...
Seite 108
... important ones around today . But the question about the influence of Fuller himself remains secondary ! The world , in all the ways it relates to utilities , is in such a state of disorder that our most urgent goal must be to resolve ...
... important ones around today . But the question about the influence of Fuller himself remains secondary ! The world , in all the ways it relates to utilities , is in such a state of disorder that our most urgent goal must be to resolve ...
Seite 170
... important factor , in these works that use tapes , is that the sounds obtained don't result from predetermined choice . I set a minimum of eighty - eight tape loops for the Rozart Mix because with such a number of loops , you can't keep ...
... important factor , in these works that use tapes , is that the sounds obtained don't result from predetermined choice . I set a minimum of eighty - eight tape loops for the Rozart Mix because with such a number of loops , you can't keep ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
9 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis