For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 119
... indeterminacy . So that no one knew when it began or when it ended . And I told her that that's what I expected for the new performance of the Song Books indeterminacy of the temporal limits of the work . And also a perfor- mance where ...
... indeterminacy . So that no one knew when it began or when it ended . And I told her that that's what I expected for the new performance of the Song Books indeterminacy of the temporal limits of the work . And also a perfor- mance where ...
Seite 177
John Cage, Daniel Charles. D.C .: Given what you said about the indeterminacy of a certain number of your works , to what extent do you feel it applies to your work in general ? Aren't you subverting your own practice of indeterminacy ...
John Cage, Daniel Charles. D.C .: Given what you said about the indeterminacy of a certain number of your works , to what extent do you feel it applies to your work in general ? Aren't you subverting your own practice of indeterminacy ...
Seite 198
... indeterminacy . If you accept the idea of a continuum , you reduce indeterminacy to a more or less perfected variety of determinacy . You forget that there's a jump from one to the other . And how do you make this jump ? My answer is to ...
... indeterminacy . If you accept the idea of a continuum , you reduce indeterminacy to a more or less perfected variety of determinacy . You forget that there's a jump from one to the other . And how do you make this jump ? My answer is to ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis