For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 79
... listen to it again . You listen again and the object surges forth . There is repetition ; it sounds the same each time . You can learn what you are listening to by listening to it again . You are free to infuse it with all the logic you ...
... listen to it again . You listen again and the object surges forth . There is repetition ; it sounds the same each time . You can learn what you are listening to by listening to it again . You are free to infuse it with all the logic you ...
Seite 150
... listen to it in a sort of wrong sense . J.C .: Perhaps I'm not listening to it as Feldman thought I would . But that's not misunderstanding his work . I haven't missed any under- standing of that music . D.C .: So wouldn't the work be ...
... listen to it in a sort of wrong sense . J.C .: Perhaps I'm not listening to it as Feldman thought I would . But that's not misunderstanding his work . I haven't missed any under- standing of that music . D.C .: So wouldn't the work be ...
Seite 171
... listen to them , and then to tell them what I thought they should do to move in a direction which would suit me . They grouped themselves on the stage and acted as I just described to you . They began to listen to and answer each other ...
... listen to them , and then to tell them what I thought they should do to move in a direction which would suit me . They grouped themselves on the stage and acted as I just described to you . They began to listen to and answer each other ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis