For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 86
... longer attempts to go anywhere , according to him , it no longer presents any interest . And he wonders why I continue to write it . D.C .: Do you agree with this objection ? J.C .: My intention was precisely to stop my music from going ...
... longer attempts to go anywhere , according to him , it no longer presents any interest . And he wonders why I continue to write it . D.C .: Do you agree with this objection ? J.C .: My intention was precisely to stop my music from going ...
Seite 146
... longer found in my works , but in the people who listen to them . They have changed places . When I listen , I can feel an emotion . D.C .: Even though you know that the work no longer provides a pretext for that feeling ? J.C .: In my ...
... longer found in my works , but in the people who listen to them . They have changed places . When I listen , I can feel an emotion . D.C .: Even though you know that the work no longer provides a pretext for that feeling ? J.C .: In my ...
Seite 234
... longer his own experiences . It is experience . And his work improves to the extent that he disappears . He no longer speaks , he no longer writes ; he lets things speak and write as they are . I have tried to do nothing else in music ...
... longer his own experiences . It is experience . And his work improves to the extent that he disappears . He no longer speaks , he no longer writes ; he lets things speak and write as they are . I have tried to do nothing else in music ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis