For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 53
... mean by ' utilities ' ? The bath - tub , the telephone ? J.C .: Yes , and first of all , water , air , food , cl ... you know perfectly well what I mean ! ( Laughter . ) D.C .: That is a way of letting order rule ! J.C .: Not at all ...
... mean by ' utilities ' ? The bath - tub , the telephone ? J.C .: Yes , and first of all , water , air , food , cl ... you know perfectly well what I mean ! ( Laughter . ) D.C .: That is a way of letting order rule ! J.C .: Not at all ...
Seite 96
... mean that there is no place for fighting against noise pollution . But that also doesn't imply the negative aesthetic criterion which the refusal of noises as such would be . Indeed , on the contrary , I believe I am able to draw from ...
... mean that there is no place for fighting against noise pollution . But that also doesn't imply the negative aesthetic criterion which the refusal of noises as such would be . Indeed , on the contrary , I believe I am able to draw from ...
Seite 230
... mean , composing ' seriously ' , it was to involve myself in noise , because noises escape power , that is , the laws of counterpoint and harmony . When I spoke about Schaeffer , I said that noises had not been liberated but had been ...
... mean , composing ' seriously ' , it was to involve myself in noise , because noises escape power , that is , the laws of counterpoint and harmony . When I spoke about Schaeffer , I said that noises had not been liberated but had been ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis