For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 98
... musicians clouded by their own egos . You have an entirely different conception of music in general and of your own music ... J.C .: I don't see why my music , even granting that I may have some sort of property right over it , should ...
... musicians clouded by their own egos . You have an entirely different conception of music in general and of your own music ... J.C .: I don't see why my music , even granting that I may have some sort of property right over it , should ...
Seite 183
... musicians had been specially chosen from among the Mobile Ensemble . When I arrived at The Hague , on the day arranged for the performance , I discovered that the musicians were only on their first day of rehearsal ! The work proved to ...
... musicians had been specially chosen from among the Mobile Ensemble . When I arrived at The Hague , on the day arranged for the performance , I discovered that the musicians were only on their first day of rehearsal ! The work proved to ...
Seite 184
... musicians what I thought about the deplorable state of the society in which we live - not just musical society . I added that I was withdrawing the work from the program of the concert planned for that evening , and that I congratulated ...
... musicians what I thought about the deplorable state of the society in which we live - not just musical society . I added that I was withdrawing the work from the program of the concert planned for that evening , and that I congratulated ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis