For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 89
... operations and in the group - there were about a hundred of us - each person had two chance operations to determine the works he would have to read . Next , still by chance operations , we divided up into flexible groups . Each group ...
... operations and in the group - there were about a hundred of us - each person had two chance operations to determine the works he would have to read . Next , still by chance operations , we divided up into flexible groups . Each group ...
Seite 114
... operations . I distributed these words , according to a typography likewise based on chance , on sheets of plexi- glass . I put the eight sheets of plexiglass parallel to each other on a wooden base . Thus the letters appear in depth ...
... operations . I distributed these words , according to a typography likewise based on chance , on sheets of plexi- glass . I put the eight sheets of plexiglass parallel to each other on a wooden base . Thus the letters appear in depth ...
Seite 180
... operations . Boulez's letters interested me no end ; I dare hope that my own letters didn't leave him indifferent ! But he rejected outright any acceptance of the idea of chance . That wasn't a part of his views . Later came Mallarmé's ...
... operations . Boulez's letters interested me no end ; I dare hope that my own letters didn't leave him indifferent ! But he rejected outright any acceptance of the idea of chance . That wasn't a part of his views . Later came Mallarmé's ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis