For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 73
... percussion work during those years when you conducted percussion orchestras was not then directly guided by Varèse's example ? J.C .: To tell the truth , it didn't happen that way . One day I was intro- duced to Oscar Fischinger who ...
... percussion work during those years when you conducted percussion orchestras was not then directly guided by Varèse's example ? J.C .: To tell the truth , it didn't happen that way . One day I was intro- duced to Oscar Fischinger who ...
Seite 160
... percussion share any of the responsibility for this fixed idea of ' gestural ' notation ? J.C .: When I was writing music for percussion , I simply wrote notes to designate the quite different sounds we were able to collect . We con ...
... percussion share any of the responsibility for this fixed idea of ' gestural ' notation ? J.C .: When I was writing music for percussion , I simply wrote notes to designate the quite different sounds we were able to collect . We con ...
Seite 162
... percussion orchestra ? J.C .: But I didn't accompany the dancers with my orchestra ! There was no room for the orchestra . In the theater , the dancers used the stage . There were no wings . To make a space for the piano , we had to ...
... percussion orchestra ? J.C .: But I didn't accompany the dancers with my orchestra ! There was no room for the orchestra . In the theater , the dancers used the stage . There were no wings . To make a space for the piano , we had to ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis