For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 130
... performance of the Song Books . But that didn't matter . J.C .: No. They gave a very beautiful performance of it I think . D.C .: In what sense was it a beautiful performance ? J.C .: In that they performed with great care to make sure ...
... performance of the Song Books . But that didn't matter . J.C .: No. They gave a very beautiful performance of it I think . D.C .: In what sense was it a beautiful performance ? J.C .: In that they performed with great care to make sure ...
Seite 169
... performance , in 1951 , nothing happened , because it was too late at night and we couldn't find anything on the radios . In fact , there were all sorts of broadcasts ! Still , I have always been attracted by those sonorities that ...
... performance , in 1951 , nothing happened , because it was too late at night and we couldn't find anything on the radios . In fact , there were all sorts of broadcasts ! Still , I have always been attracted by those sonorities that ...
Seite 183
... performance , I discovered that the musicians were only on their first day of rehearsal ! The work proved to be too difficult for that single session . That evening , however , instead of the expected first performance , we performed a ...
... performance , I discovered that the musicians were only on their first day of rehearsal ! The work proved to be too difficult for that single session . That evening , however , instead of the expected first performance , we performed a ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis