For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 37
... piano . A giant myth has enveloped that prepared piano . You yourself noted that music critics hardly ever bothered to find out exactly what was in the piano once you had finished preparing it . Sometimes , in addition to what you ...
... piano . A giant myth has enveloped that prepared piano . You yourself noted that music critics hardly ever bothered to find out exactly what was in the piano once you had finished preparing it . Sometimes , in addition to what you ...
Seite 38
... piano ? J.C .: Yes , to place in the hands of a single pianist the equivalent of an entire percussion orchestra . D.C .: A principle of economy . J.C .: With just one musician , you can really do an unlimited number of things on the ...
... piano ? J.C .: Yes , to place in the hands of a single pianist the equivalent of an entire percussion orchestra . D.C .: A principle of economy . J.C .: With just one musician , you can really do an unlimited number of things on the ...
Seite 160
... piano , notation became a way to produce something . So words were no longer enough to indicate the result . First I had to inscribe the grid of the transformations to be effected inside the piano , and show how to attack the keyboard ...
... piano , notation became a way to produce something . So words were no longer enough to indicate the result . First I had to inscribe the grid of the transformations to be effected inside the piano , and show how to attack the keyboard ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis