For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 51
... possible , without any connection . D.C .: Moreover , your ' indeterminate ' works were supposed to take space into consideration . J.C .: It was a question of avoiding all fusion between sounds ; and to do this , the musicians had to ...
... possible , without any connection . D.C .: Moreover , your ' indeterminate ' works were supposed to take space into consideration . J.C .: It was a question of avoiding all fusion between sounds ; and to do this , the musicians had to ...
Seite 96
... possible to what passes and to what appears . In the case of sound , whether the sound be loud or soft , flat or sharp , or whatever you like , that doesn't constitute a sufficient motive for not opening ourselves up to what it is , as ...
... possible to what passes and to what appears . In the case of sound , whether the sound be loud or soft , flat or sharp , or whatever you like , that doesn't constitute a sufficient motive for not opening ourselves up to what it is , as ...
Seite 160
... possible . [ As I mentioned before , there was also my concern with pushing some of Schoenberg's ideas to their limit . ] But this non - homogeneous side of my notations also came from the idea of the possible mixture of all notations ...
... possible . [ As I mentioned before , there was also my concern with pushing some of Schoenberg's ideas to their limit . ] But this non - homogeneous side of my notations also came from the idea of the possible mixture of all notations ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis