For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
Im Buch
Ergebnisse 1-3 von 36
Seite 51
... possible , without any connection . D.C .: Moreover , your ' indeterminate ' works were supposed to take space into consideration . J.C .: It was a question of avoiding all fusion between sounds ; and to do this , the musicians had to ...
... possible , without any connection . D.C .: Moreover , your ' indeterminate ' works were supposed to take space into consideration . J.C .: It was a question of avoiding all fusion between sounds ; and to do this , the musicians had to ...
Seite 96
... possible to what passes and to what appears . In the case of sound , whether the sound be loud or soft , flat or sharp , or whatever you like , that doesn't constitute a sufficient motive for not opening ourselves up to what it is , as ...
... possible to what passes and to what appears . In the case of sound , whether the sound be loud or soft , flat or sharp , or whatever you like , that doesn't constitute a sufficient motive for not opening ourselves up to what it is , as ...
Seite 160
... possible . [ As I mentioned before , there was also my concern with pushing some of Schoenberg's ideas to their limit . ] But this non - homogeneous side of my notations also came from the idea of the possible mixture of all notations ...
... possible . [ As I mentioned before , there was also my concern with pushing some of Schoenberg's ideas to their limit . ] But this non - homogeneous side of my notations also came from the idea of the possible mixture of all notations ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
able accept according activities already appear asked audience become began begin believe better Certainly chance Ching close comes completely composer concert consider continue course critics David Tudor devotion don't electronic emotions entire everything example exist experience fact feel footnote of 1972 give happens idea important included interested it's John Cage less listen live longer mean mentioned Merce mind musicians nature never noises object once operations orchestra organization particular performance perhaps person piano piece play possible prefer present problem produce question recent recording relationship remain result score seems sense separate silence situation sometimes Song Books sounds space structure talk tapes That's theater things Thoreau thought University utilities Variations writing