For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 37
... prepared piano . A giant myth has enveloped that prepared piano . You yourself noted that music critics hardly ever bothered to find out exactly what was in the piano once you had finished preparing it . Sometimes , in addition to what ...
... prepared piano . A giant myth has enveloped that prepared piano . You yourself noted that music critics hardly ever bothered to find out exactly what was in the piano once you had finished preparing it . Sometimes , in addition to what ...
Seite 49
... prepared piano , through electronic instruments and , more recently , computers . The first ' electronic ' work ever created was yours this is too easily forgotten and it must date from 1938 or 1939 ... - J.C .: There was a radio studio ...
... prepared piano , through electronic instruments and , more recently , computers . The first ' electronic ' work ever created was yours this is too easily forgotten and it must date from 1938 or 1939 ... - J.C .: There was a radio studio ...
Seite 104
... prepared piano were fully expressive works , as well as my String Quar- tet . In 1950 , I composed Sixteen Dances for Merce Cunningham and I was wondering how to achieve a clear graphic view of the rhythmic struc- tures I wanted to use ...
... prepared piano were fully expressive works , as well as my String Quar- tet . In 1950 , I composed Sixteen Dances for Merce Cunningham and I was wondering how to achieve a clear graphic view of the rhythmic struc- tures I wanted to use ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis