For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 26
... present this very moment , it seems to me that , among the three dimensions usually distinguished in time - past , present , future -you privilege the middle one . But is only thinking the present or if you prefer , the moment ...
... present this very moment , it seems to me that , among the three dimensions usually distinguished in time - past , present , future -you privilege the middle one . But is only thinking the present or if you prefer , the moment ...
Seite 94
... present here , that we are in the present , but not in that present which would , for example , include fir trees in a forest ? We owe this complexity to chance ... Our life is intensely complex , with layers of chance superimposed at ...
... present here , that we are in the present , but not in that present which would , for example , include fir trees in a forest ? We owe this complexity to chance ... Our life is intensely complex , with layers of chance superimposed at ...
Seite 219
... present , now that sounds themselves have been recognized as free , spares us any supplementary work on the basics . That doesn't mean that we don't need to compose new music , but new ideas on music are no longer necessary . D.C ...
... present , now that sounds themselves have been recognized as free , spares us any supplementary work on the basics . That doesn't mean that we don't need to compose new music , but new ideas on music are no longer necessary . D.C ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis