For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 126
... produce a sound of any amplitude at all after a very loud sound . He had a prodigious sense of the qualities of each ... produces an interplay of unpredictable interrelations between components . ' Outputs ' may be video or audio , even ...
... produce a sound of any amplitude at all after a very loud sound . He had a prodigious sense of the qualities of each ... produces an interplay of unpredictable interrelations between components . ' Outputs ' may be video or audio , even ...
Seite 128
... produces feed - back between them . The audio is inseparable from the video , but when the circuits are turned on , they can produce as ' output ' either visual or audible effects . But there is also another side to David Tudor : he ...
... produces feed - back between them . The audio is inseparable from the video , but when the circuits are turned on , they can produce as ' output ' either visual or audible effects . But there is also another side to David Tudor : he ...
Seite 172
... produced in the United States , each group really worked in an independent manner . No one worried about his ... producing their own circus ! D.C .: They were expecting a work ... J.C .: People always think that there is something to ...
... produced in the United States , each group really worked in an independent manner . No one worried about his ... producing their own circus ! D.C .: They were expecting a work ... J.C .: People always think that there is something to ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis