For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 134
... recording was made . We were in a little art gallery in Los Angeles , and both of us , David and I , had a separate control table . All of the different sounds , which initially were completely distinct because of their dis- similar ...
... recording was made . We were in a little art gallery in Los Angeles , and both of us , David and I , had a separate control table . All of the different sounds , which initially were completely distinct because of their dis- similar ...
Seite 135
... recording gains from the particular facilities offered by a recording studio . Previously in the course of our tours , we performed Cartridge Music directly by super- imposing the four ' voices ' of the recording onto the live version ...
... recording gains from the particular facilities offered by a recording studio . Previously in the course of our tours , we performed Cartridge Music directly by super- imposing the four ' voices ' of the recording onto the live version ...
Seite 195
... recording of HPSCHD captured that complexity - at least in terms of the sound ? J.C .: I mentioned that there were fifty - two tapes corresponding to the fifty - two divisions of the octave . Because the recording was to be in stereo ...
... recording of HPSCHD captured that complexity - at least in terms of the sound ? J.C .: I mentioned that there were fifty - two tapes corresponding to the fifty - two divisions of the octave . Because the recording was to be in stereo ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis