For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 135
... score , because it calls for all those sounds which two instrumentalists could never feed into a tape recorder at ... scores together at the Music Weeks performance ? J.C .: When I wrote Winter Music , David Tudor and I played it as a ...
... score , because it calls for all those sounds which two instrumentalists could never feed into a tape recorder at ... scores together at the Music Weeks performance ? J.C .: When I wrote Winter Music , David Tudor and I played it as a ...
Seite 160
... scores , with notes and the words which were indispensable for sketching a description of the sounds . D.C .: Then it was only later that you specially developed your writing techniques ? J.C .: In 1958 , a score like Concert for Piano ...
... scores , with notes and the words which were indispensable for sketching a description of the sounds . D.C .: Then it was only later that you specially developed your writing techniques ? J.C .: In 1958 , a score like Concert for Piano ...
Seite 170
... score of Rozart Mix is just the correspondence between Alvin Lucier and myself - it is our letters on Rozart Mix which have been photocopied . On other occasions , in particular in the case of Variations V , I wrote the score after the ...
... score of Rozart Mix is just the correspondence between Alvin Lucier and myself - it is our letters on Rozart Mix which have been photocopied . On other occasions , in particular in the case of Variations V , I wrote the score after the ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis