For the BirdsOne of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 135
There , there is a true fidelity to the score , because it calls for all those sounds
which two instrumentalists could never feed into a tape recorder at one time . In
this case , the recording gains from the particular facilities offered by a recording
...
There , there is a true fidelity to the score , because it calls for all those sounds
which two instrumentalists could never feed into a tape recorder at one time . In
this case , the recording gains from the particular facilities offered by a recording
...
Seite 160
I wrote those attempts just as I had written my percussion scores , with notes and
the words which were indispensable for ... J . C . : In 1958 , a score like Concert
for Piano served as a sufficient cause for me to seek the greatest diversification ...
I wrote those attempts just as I had written my percussion scores , with notes and
the words which were indispensable for ... J . C . : In 1958 , a score like Concert
for Piano served as a sufficient cause for me to seek the greatest diversification ...
Seite 170
The role of the composer is to prepare the elements which will permit the
situation to become complex . D . C . : The notation becomes very simple . . . J . C
. : That depends on the circumstances . As you know , the score of Rozart Mix is
just the ...
The role of the composer is to prepare the elements which will permit the
situation to become complex . D . C . : The notation becomes very simple . . . J . C
. : That depends on the circumstances . As you know , the score of Rozart Mix is
just the ...
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