For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 20
... seems to me , that silence ' in itself ' does not exist . Is it because of this discovery that you allow ( or so it seems to me ) less and less silence in your music ? Aren't you following the path of Europeanization of conforming to ...
... seems to me , that silence ' in itself ' does not exist . Is it because of this discovery that you allow ( or so it seems to me ) less and less silence in your music ? Aren't you following the path of Europeanization of conforming to ...
Seite 96
... seems to be a different point of view - for the majority of people rather than for an élite , doesn't seem to me to be ultimately incompat- ible with an opening - up of possible aesthetic responses . D.C .: Chuang - tze insists that non ...
... seems to be a different point of view - for the majority of people rather than for an élite , doesn't seem to me to be ultimately incompat- ible with an opening - up of possible aesthetic responses . D.C .: Chuang - tze insists that non ...
Seite 99
... seems difficult for me to really believe any more in a music which is not flexible . That doesn't mean that fixed , determined music should cease to exist . What should hardly ever exist any more is blind piety with regard to whatever ...
... seems difficult for me to really believe any more in a music which is not flexible . That doesn't mean that fixed , determined music should cease to exist . What should hardly ever exist any more is blind piety with regard to whatever ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis