For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 77
... situation to which we are accustomed and which can remain what it is without our feeling obliged to inter- vene , but an entirely new situation , in which any sound or noise at all can go with any other . D.C .: What you call an ...
... situation to which we are accustomed and which can remain what it is without our feeling obliged to inter- vene , but an entirely new situation , in which any sound or noise at all can go with any other . D.C .: What you call an ...
Seite 119
... situation like that . So I explained to Cathy that I personally preferred a concert that actually developed through indeterminacy . So that no one knew when it began or when it ended . And I told her that that's what I expected for the ...
... situation like that . So I explained to Cathy that I personally preferred a concert that actually developed through indeterminacy . So that no one knew when it began or when it ended . And I told her that that's what I expected for the ...
Seite 231
... situation could be - one in which whites would not have more power than blacks , and blacks no more than whites . A situation in which each thing and each sound is in its place , because each one is what it is . Moreover , I'm not the ...
... situation could be - one in which whites would not have more power than blacks , and blacks no more than whites . A situation in which each thing and each sound is in its place , because each one is what it is . Moreover , I'm not the ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis