For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
Im Buch
Ergebnisse 1-3 von 29
Seite 35
... structure . And this structure was the division of a work into parts . When one uses tonality , structure depends on cadence because cadence alone permits the defini- tion of the parts of a musical work . D.C .: Do you still hold to ...
... structure . And this structure was the division of a work into parts . When one uses tonality , structure depends on cadence because cadence alone permits the defini- tion of the parts of a musical work . D.C .: Do you still hold to ...
Seite 36
... structure , but what I call method . Method consists of taking one step after the other , the right then the left . You can walk like that with the twelve tones , can't you ? Or even with counterpoint . Schoenberg's course was ...
... structure , but what I call method . Method consists of taking one step after the other , the right then the left . You can walk like that with the twelve tones , can't you ? Or even with counterpoint . Schoenberg's course was ...
Seite 73
... structures . But structure then became rhythmic ; it was no longer a tonal structure in Schoenberg's sense . D.C .: But was rhythmic structure enough to make up for a lack of tonal- ity ? Aren't we dealing with two different dimensions ...
... structures . But structure then became rhythmic ; it was no longer a tonal structure in Schoenberg's sense . D.C .: But was rhythmic structure enough to make up for a lack of tonal- ity ? Aren't we dealing with two different dimensions ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
9 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis