For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
Im Buch
Ergebnisse 1-3 von 29
Seite 35
... structure . And this structure was the division of a work into parts . When one uses tonality , structure depends on cadence because cadence alone permits the defini- tion of the parts of a musical work . D.C .: Do you still hold to ...
... structure . And this structure was the division of a work into parts . When one uses tonality , structure depends on cadence because cadence alone permits the defini- tion of the parts of a musical work . D.C .: Do you still hold to ...
Seite 36
... structure , but what I call method . Method consists of taking one step after the other , the right then the left . You can walk like that with the twelve tones , can't you ? Or even with counterpoint . Schoenberg's course was ...
... structure , but what I call method . Method consists of taking one step after the other , the right then the left . You can walk like that with the twelve tones , can't you ? Or even with counterpoint . Schoenberg's course was ...
Seite 73
... structures . But structure then became rhythmic ; it was no longer a tonal structure in Schoenberg's sense . D.C .: But was rhythmic structure enough to make up for a lack of tonal- ity ? Aren't we dealing with two different dimensions ...
... structures . But structure then became rhythmic ; it was no longer a tonal structure in Schoenberg's sense . D.C .: But was rhythmic structure enough to make up for a lack of tonal- ity ? Aren't we dealing with two different dimensions ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
able accept according activities already appear asked audience become began begin believe better Certainly chance Ching close comes completely composer concert consider continue course critics David Tudor devotion don't electronic emotions entire everything example exist experience fact feel footnote of 1972 give happens idea important included interested it's John Cage less listen live longer mean mentioned Merce mind musicians nature never noises object once operations orchestra organization particular performance perhaps person piano piece play possible prefer present problem produce question recent recording relationship remain result score seems sense separate silence situation sometimes Song Books sounds space structure talk tapes That's theater things Thoreau thought University utilities Variations writing