For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 57
... tranquility . But for a good portion of time , you composed works whose sonorous intensity inhibited that tranquility ! And I believe that I am correct in saying that when your friends mentioned this to you , you consulted the I Ching ...
... tranquility . But for a good portion of time , you composed works whose sonorous intensity inhibited that tranquility ! And I believe that I am correct in saying that when your friends mentioned this to you , you consulted the I Ching ...
Seite 149
... tranquility . J.C .: And in the erotic . For me , Feldman's music is not only tranquil , it is extremely erotic . With La Monte Young , I feel no particular emotion other than tranquility . D.C .: In both cases , La Monte Young and ...
... tranquility . J.C .: And in the erotic . For me , Feldman's music is not only tranquil , it is extremely erotic . With La Monte Young , I feel no particular emotion other than tranquility . D.C .: In both cases , La Monte Young and ...
Seite 183
... tranquility ? In your oscillation between determinate and indeterminate works , isn't there a vestige of this kind of problem of precedence between these two terms , love and tranquil- ity ? J.C .: You mean that the indeterminate work ...
... tranquility ? In your oscillation between determinate and indeterminate works , isn't there a vestige of this kind of problem of precedence between these two terms , love and tranquil- ity ? J.C .: You mean that the indeterminate work ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis