For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 114
... words or a syntax . I found this experi- ence thrilling . As for my text , I noticed on two occasions , while giving ... words , then letters from those words , and finally , their arrangement in space by chance operations . I ...
... words or a syntax . I found this experi- ence thrilling . As for my text , I noticed on two occasions , while giving ... words , then letters from those words , and finally , their arrangement in space by chance operations . I ...
Seite 160
... words were no longer enough to indicate the result . First I had to inscribe the grid of the transformations to be effected inside the piano , and show how to attack the keyboard , but the performer no longer had the impression that he ...
... words were no longer enough to indicate the result . First I had to inscribe the grid of the transformations to be effected inside the piano , and show how to attack the keyboard , but the performer no longer had the impression that he ...
Seite 234
... words become simplified or shorter . The longest words , I would be tempted to say , contain something of Thoreau in them . But not the shortest words . They are words from common language , everyday words.1 So , as the words become ...
... words become simplified or shorter . The longest words , I would be tempted to say , contain something of Thoreau in them . But not the shortest words . They are words from common language , everyday words.1 So , as the words become ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis