For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
Im Buch
Ergebnisse 1-3 von 24
Seite 59
... writing the Song Books , it occurred to me that it would be a mistake if I were to superim- pose Rozart Mix or the ... writing music is not the same as performing it , nor as listening to it . They are three completely different things ...
... writing the Song Books , it occurred to me that it would be a mistake if I were to superim- pose Rozart Mix or the ... writing music is not the same as performing it , nor as listening to it . They are three completely different things ...
Seite 60
... writing . QUESTION : Is there really a purposeless writing ? J.C .: Indeed , there can be a purposeless writing , a pure writing ! And also a pure performance , a pure listening . And each has nothing to do with any of the others ...
... writing . QUESTION : Is there really a purposeless writing ? J.C .: Indeed , there can be a purposeless writing , a pure writing ! And also a pure performance , a pure listening . And each has nothing to do with any of the others ...
Seite 160
... writing for percussion share any of the responsibility for this fixed idea of ' gestural ' notation ? J.C .: When I was writing music for percussion , I simply wrote notes to designate the quite different sounds we were able to collect ...
... writing for percussion share any of the responsibility for this fixed idea of ' gestural ' notation ? J.C .: When I was writing music for percussion , I simply wrote notes to designate the quite different sounds we were able to collect ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
9 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis