THE LONDON MAGAZINE. JANUARY TO JUNE, 1822. Why should not divers studies, at divers hours, delight, when the BEN JOxson's Discoverics. VOL. V. London: Printed for TAYLOR AND HESSEY, 93, FLEET-STREET. 1822. ALPHABETICAL TABLE ABSTRACTion, inadequacy of, in Art, 446. Bonassus, Mrs. Winifred Lloyd's descrif- Actors, on some of the Old, 174-Bensley, tion of, 428. 174_his Iago, and his Malvolio, 175— Books, new, (M. R.) 12, 26, 44, 63, 83, 101. Dodd; his Aguecheek, 177—the elder Botany, the Gentiana Chirayita, 196. Palmer, 178-Smith; Kemble, 309. Bourne, Vincent, his Epitaphium in Ca- nem, 533. Agricultural Report, (MONTHLY RE- Bradgate Park, 166—the Chapel, and Tilt. GISTER,) 2, 19, 37, 55, 75, 95. Albatross, the, 223. Brevity, Brief observations on, 359. Buck-shooting, 173. America, alarm first caused in, by the Bunbury, 26. Buonaparte, his residence at Elba, 272 American Navy, 100—Finances, 199. his will, 399-manner of living at St. Anecdotes of Dr. Barrett, 53—Goldsmith, Helena, 572—his apartments, 573 — 116—Chantrey, 155 Doud, 178 - anecdotes, 574. G-n, 310_a Chimney-sweeper, 470 Burghersh, Lord, his Bajazet, 490. Burying-ground, English at Leghorn, 64. Antonio, G-n's Tragedy of, account of Byron, Lord, review of his Sardanapalus, its first representation, 309. &c. 66_his Aristocracy, 66—Excellen- Anstey, Christopher, Life of, 24. cies, 67—Sardanapalus, 67—Two Fos. Art, its principles defined, 156—the finest cari, 69—Cain, 70-contrasted with imitation of Nature the highest Art, 447 Scott, 296. --ideal in Art defined, 450—(See also Beauty, Grace, Grandeur, Ideal, Paints Cain, by Lord Byron, remarks on, 70. Cambridge, R. O., life of, 403. Arundel Castle, anecdote of a Chimney. Campanella, Tommaso, account of, 50. Canals, Shares, &c. (M. R.) 17, 35, 53, Ascham, Roger, 166_extract from his 73, 93, 111. Baïf, J. Ant. de, French Poet, 335. Cats, black, 285. Bank-notes, 189—advantages of, 191. Catalani, Madame, 95, 388, 491. Catullus, comparison between him and Ho. Bankrupts, (M. R.) 14, 28, 45, 65, 85, 103. race, 277-defended from the charge of Barbarossa, the Emperor Frederic, 229. want of originality, 536-translations Barrett, Dr. anecdotes of, 53. Ceres, 341--Homer's hymn to, 342. Batteux, his Treatise on the Fine Arts, 44. Chantrey, anecdote of, 155. Characters: Elia's Grandmother, 22- Beauties of the Living Dramatists: No. I. Leghorn Captain, 64–English Tra- Virtue's Harvest Home, 29- No. II. veller, 65~Walter Lyddal, 6, 11-a 362—Don Giovanni the XVIII., 436. Allan-a-Maut, 321 — Frank Chilvers, 350—James White, 408—portrait of a 542-Haudthegrup, 543—Gawain, 546. Charles I., letter of, 220-Verses by, 388. Chatsworth-house, 129—the Seven For. Berthon, General, 398. resters of, 129. Chimney-sweepers, praise of, 405_feast of, Bochsa, Mr., his Oratorio of the Deluge, in Smithfield, 408 388. 407. Dream-Children, a reverie, 21. Christmas described, 90. Dying Gladiator, the statue of, 196. 128_The Approach of Spring. Ecclesiastical Preferments, &c. (M. R.) 8, 25, 48, 68, 88, 106. Edinburgh, Mr. Williams' Exhibition at, Commercial Report, (m. r.) 2, 20, 40, 59, Elba, 272. Elgin Marbles, the, 153—not ideal forms, Complaint of the Decay of Beggars, 532. 153—paper on, continued, 445. Concerts : of Ancient Music, 287–Sub. Elia, papers by; Dream Children, a reve- scription Concerts, 288—Royal Con rie, 21—Some of the Old Actors, 174- Distant Correspondents, 282—the Old Congreve, character of his Comedics, 306. Actors, 305— Praise of Chimney-sweep- ers, 405_Complaint of the Decay of Beggars in the Metropolis, 532. of 388—letter to the Bishop of Ely, 411. England, peculiar currency requisite for, Crimson Hermits, the, a Melodrama, 253. Cumberland, Clifford, Earl of, 409. Epistolary topics, 282. Currency, on a Free Paper, 185. Exhibitions : Drawings, Soho-square, 295 -Williams' Views in Greece at Edin. burgh, 425-Water-colour, 470-Mar- tin's, 471-Somerset House, 471, 550. Deaths, (M. R.) 6, 24, 48, 67, 87, 105. Death of the Laird of Warlsworm, 539. Fine Arts : Drawings, Soho-square, 295 -Water-colour exhibition, 470-Mar- tin's Herculaneum,471--Somerset House, Dodd, the actor, 177-anecdoto of, 178. 471-see also Sculpturc. Foreign Commerce, (M. R.) 4, 23, 42, 61, Drama, Jan. Proem ; Drury Lane, 90.- Forms, ideal, 153. Kean, 9)-Miss Edmiston ; Rowe's Fortiguerri, the author of Ricciardetto, 429. Jane Shore, 92_De Montfort ; Covent Foscari, critique on Byron's tragedy of the Garden; Two Gentlemen of Verona, Two, 69. 93--Miss Tree ; Miss Beaumont ; Far- France, see Public Events. ren; Liston, 94 - Miss Hallande ; The Free Paper Currency, 185—petition for, Two Pages, 35-FEB. Comparison be 191-benefits of, 192. tween the state of the two Great Houses, French Poets, early ; A. Heroet, and M. 179-and their different systems of ma de St. Gelais, 37-Hugues Salel and nagement, the Pirate, 130_Cooper, Oliver de Magny, 157-Joachim du Harley, &c., 181-Scenery, 182–Co. Bellay, 231-Remy de Belleau, and vent-Garden ; Drury - Lane, Panto Jan Antoine de Baif, 331-Jan de la mime, 183–Covent-Garden; the Yel. Peruse, 456—Pierre de Ronsard, 501. low Dwarf, 184-Mar. Drury-Lane; French Dramatists, 47. Town and Country, 290-Adeline, or French Versification, 44, 46. the Victim of Seduction, 291-Owen, Prince of Powys, 292–Covent-Garden; Galloway, description of a vale in 540. Mo: trose, Miss Stephens, 293—-Eng- Gaull, John, his account of the initiation of _G. Colman, 581—The Law of Java, of Ricciardetto, 429. Glossary to the second Tale of Lyddal Dramatists, beauties of the living; see Cross, 101. Beauties, &c.—Modern, 29—French, G-n, account of his visit to the Theatre at the first performance of his Antonio, Drawings, exhibition of, Soho-square, 295 510. --At the water-colour exhibition, 470. Goldsmith, Dr., life of, 105-character, 0 110—remarks on his works, 111_scene Ling, Swedish Poet, 197. 295. Literature, vicissitudes in, 110. Danish, 197. Polish, 296. Swedish, 197. Lives of the Poets, No. III. C. Anstey, No. V. Joseph Warton, 264–No. VI. James Beattie, 312_No. VII. R. O. Cambridge, 403_W. J. Mickle, 559. Martin's Pictures, and the Bonassus, quence, 416_speech in the Assembly Loveday, Miss, conversion of, 199. Markets, (M. R.) 161, 34, 54, 72, 92, 110. Martin, characteristics of his style, 448— his picture of Herculaneum, 471. May-day effusion, by Elia, 405. odes of, 277—compared with Catullus, Meteorological Journal, 10, 32, 50, 70, 90, 277-various English versions of, 279. 107. Minichino, Abbate, account of, 49. Mittau, improvements at, 196. 154_defined, 156, 450—ideal forms, Caxton's Mirrour, 187. M-ff, Mr. 436. Montgomery, J., War-song by, 456—Re- view of his Polyhymnia, 557. Mosca, Signor, the composer, 490. Music, Report of, Jan. Madame Catalani; King's 'T'heatre, 95_Mr. Bishop, Na- tional Melodies, new Musical Publica- tions, 96—FEB. Encouragement of En. glish Music, 193—Establishment pro- jected for the education of young Mu- sicians; the Opera; Signora Carridori, Ambrogetti, Camporese; Madame Mora, 194—New Musical Publications, 195– March. The Opera ; Il Barone di Dol. sheim ; Concerts of Ancient Music ; Oratorios at Covent Garden, 287– certs; Madame Catalani ; New Musical Publications, Beauties of Rossini ; the Translation from the Homeric Hymns, Royal Concerts at Brighton, the King's 161-No. VII. Ditto to Ceres, 340. English Composition; Concerts of the Royal Harmonic Institution, Italian Edinburgh, 72-of Edward Herbert, the Handel's Messiah, Bochsa's Deluge, |