The Perception and Evocation of LiteratureScott, Foresman, 1973 - 376 páginas |
Dentro del libro
Resultados 1-3 de 53
Página 11
... body . Somatic thinking transmutes intellectual , critical responses to literature into intuitive and " knowing " responses of all the body : the voice , the musculature , the senses . But per- formances of literature originating ...
... body . Somatic thinking transmutes intellectual , critical responses to literature into intuitive and " knowing " responses of all the body : the voice , the musculature , the senses . But per- formances of literature originating ...
Página 215
... body you must know the bone that ribs and peoples it ; deeper than flesh you feel the beauty . That will last , simply as stone upheaves in season where the winter rain rakes asters and drooping cornstalks from a hill . If you love the body ...
... body you must know the bone that ribs and peoples it ; deeper than flesh you feel the beauty . That will last , simply as stone upheaves in season where the winter rain rakes asters and drooping cornstalks from a hill . If you love the body ...
Página 320
... body is as languid as the moss which hangs and blows from the magnolias in the Louisiana set- ting of the play . Her very voice seems detached from the body which she has rejected as a suitable instrument of life . Stanley Kowalski , on ...
... body is as languid as the moss which hangs and blows from the magnolias in the Louisiana set- ting of the play . Her very voice seems detached from the body which she has rejected as a suitable instrument of life . Stanley Kowalski , on ...
Contenido
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Derechos de autor | |
Otras 23 secciones no mostradas
Términos y frases comunes
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer