The Perception and Evocation of LiteratureScott, Foresman, 1973 - 376 páginas |
Dentro del libro
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Página 11
... create in him the sense of a world never before seen or heard , a world instantly created by the power and alchemy of language . Thus , whether the individual reads silently , or whether he listens to or watches a performance of ...
... create in him the sense of a world never before seen or heard , a world instantly created by the power and alchemy of language . Thus , whether the individual reads silently , or whether he listens to or watches a performance of ...
Página 115
... create a sense of density or of sparsity . A rapid succes- sion of events or ideas produces a sense of density ; a slow progression of ideas or events , with numerous interruptions of one kind or another , creates a feeling of spar ...
... create a sense of density or of sparsity . A rapid succes- sion of events or ideas produces a sense of density ; a slow progression of ideas or events , with numerous interruptions of one kind or another , creates a feeling of spar ...
Página 117
... creating a distorted experience for his audience . Generally speaking , then , the interpreter cre- ates an event time ... create new time . In the silent or behavioral performance of literature , the perceiver or auditor enters the time ...
... creating a distorted experience for his audience . Generally speaking , then , the interpreter cre- ates an event time ... create new time . In the silent or behavioral performance of literature , the perceiver or auditor enters the time ...
Contenido
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Derechos de autor | |
Otras 23 secciones no mostradas
Términos y frases comunes
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer