The Perception and Evocation of LiteratureScott, Foresman, 1973 - 376 páginas |
Dentro del libro
Resultados 1-3 de 31
Página 14
... creative expres- sion is not so much informative as it is evocative . By this we mean that the creative expression may tell us very little about what took place in the ... Creative Disposition Versus Creative Act The Creative Disposition.
... creative expres- sion is not so much informative as it is evocative . By this we mean that the creative expression may tell us very little about what took place in the ... Creative Disposition Versus Creative Act The Creative Disposition.
Página 15
... creative artists , they do have the capacity to recognize what they felt but did not say themselves when they encounter it in literature ; that is , they have a cre- ative ... Creative Disposition Versus Creative Act 15 The Creative Act.
... creative artists , they do have the capacity to recognize what they felt but did not say themselves when they encounter it in literature ; that is , they have a cre- ative ... Creative Disposition Versus Creative Act 15 The Creative Act.
Página 56
... creative act of literature in order to give a creative act of performance ? Why , do you suppose , do so many people not follow through from a creative disposition to a creative act ? Is there anything in your background which would ...
... creative act of literature in order to give a creative act of performance ? Why , do you suppose , do so many people not follow through from a creative disposition to a creative act ? Is there anything in your background which would ...
Contenido
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Derechos de autor | |
Otras 23 secciones no mostradas
Términos y frases comunes
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer