The Perception and Evocation of LiteratureScott, Foresman, 1973 - 376 páginas |
Dentro del libro
Resultados 1-3 de 51
Página 68
... FACE , ARMS , BODY : slowly , mincingly , inevitably , suddenly , etc. " ( I came ) upon a stone , ( I looked ) into a pond , " " When I have fears that I may cease to be . . . " SHOWING THROUGH MOTIONS OF HANDS , FACE , AND BODILY ...
... FACE , ARMS , BODY : slowly , mincingly , inevitably , suddenly , etc. " ( I came ) upon a stone , ( I looked ) into a pond , " " When I have fears that I may cease to be . . . " SHOWING THROUGH MOTIONS OF HANDS , FACE , AND BODILY ...
Página 290
... face , and when he spoke we saw flashes of his teeth . If he had been whole , he would have been a fine specimen of a man . " Mr. Finch , " he said , " I was goin ' home as usual that evenin ' , an ' when I passed the Ewell place Miss ...
... face , and when he spoke we saw flashes of his teeth . If he had been whole , he would have been a fine specimen of a man . " Mr. Finch , " he said , " I was goin ' home as usual that evenin ' , an ' when I passed the Ewell place Miss ...
Página 337
... face expressing a momentary panic , Mrs. Hardwicke - Moore rises stiffly . ) Mrs. Hardwicke - Moore : Oh . . . . Mrs. Wire . Come in . ( The landlady enters , a heavy , slovenly woman of fifty . ) I was just going to drop in your room ...
... face expressing a momentary panic , Mrs. Hardwicke - Moore rises stiffly . ) Mrs. Hardwicke - Moore : Oh . . . . Mrs. Wire . Come in . ( The landlady enters , a heavy , slovenly woman of fifty . ) I was just going to drop in your room ...
Contenido
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Derechos de autor | |
Otras 23 secciones no mostradas
Términos y frases comunes
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer